Travis Tritt

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Fri, May 16 8:00 PM Find Tickets

More than thirty-five years after Travis Tritt launched his music career, the Southern rock-influenced artist continues to sell-out shows and stay true and relevant to country music fans across the globe. Continuously performing shows and withholding a heavy appearance schedule, Tritt is proving to be unstoppable.

The highly abbreviated Tritt timeline started when the young Marietta, Georgia native incorporated his lifelong influences of Southern rock, blues and gospel into his country during a honky-tonk apprenticeship that led him to Warner Bros. in 1989. Over the course of a decade, Travis released seven studio albums and a greatest hits package for the label. His 1990 debut Country Club and its succession of hits put him in the vanguard of the genre's early '90s boom, dubbing him as one of “The Class of ‘89,” which included country music superstars Garth Brooks, Clint Black and Alan Jackson; all whom dominated the charts in the early ‘90s.

“Country Club,” “Help Me Hold On,” “I’m Gonna Be Somebody,” and “Drift Off to Dream” peaked at numbers two and three on the Hot Country Singles & Tracks charts; all which led for Tritt to win Top New Male Artist award from Billboard and the CMA Horizon Award (now known as the Best New Artist Award). Additionally, in 1991, the Recording Industry Association of America (RIAA) marked Tritt’s debut album Country Club as certified platinum, then in 1992, the world-famous Grand Ole Opry extended an invitation for Tritt to become a member.

Two years after his debut, Travis’ sophomore album, It’s All About to Change, was released. Literally speaking, this album changed everything when the album shipped three million copies and all four of its singles reached the top five on the country music charts. Along with his first album, this release became triple-platinum certified by the RIAA.

At the same time, his conspicuous lack of a cowboy hat and musical assertiveness set him apart. The next series of albums, seven of which are certified platinum or higher, scored him more hit singles and led him to amass more than 30 million in career album sales, two Grammys, three CMA Awards and a devoted fan base that has filled venues coast-to-coast.

He's been a force in sports appearances, having performed at the 1996 Olympics, two Super Bowls, a World Series Game, the opening of the Georgia Dome, the final Braves game at Atlanta-Fulton Country Stadium and, in 2013, the NCAA men's basketball championship.

In 2012, Tritt formed his own label, Post Oak Recordings and shortly after released his album, The Calm After... In 2016, Tritt released a new project, a special live 2-disc CD and DVD, titled A Man and His Guitar – Live From The Franklin Theatre. The release shot and recorded at the historic Franklin Theatre in Franklin, Tenn., spotlights Tritt’s distinctively soulful voice and his exceptional guitar prowess in an intimate theater setting.

In late 2014 and throughout 2015, Tritt's compilation album, Very Best of Travis Tritt, that was originally released in 2007, saw a sales resurgence as it topped the SoundScan Top 200 Catalog Country Albums chart for over 60 consecutive weeks with 15 weeks spent at No. 1 and 35+ weeks notched in a Top 5 position, while earning RIAA certified gold status by selling over 500,000 copies. The 20-track album features some of Tritt’s biggest hits, including “It’s A Great Day To Be Alive,” “Here’s A Quarter,” and “Anymore.”

Travis Tritt made a significant appearance in 2018 on the music series "Real Country," alongside the renowned Shania Twain and Jake Owen, illuminating the screens with their collective expertise as they handpicked emerging solo artists, duos, and groups, showcasing the diverse traditions and themes of country genres on the USA Network.

Fast forward to 2022, Tritt unveiled Set In Stone, a much-anticipated, original full-length studio album. Released through Big Noise Music Group and produced by the distinguished Dave Cobb, this album is a canvas of Tritt’s musical essence, featuring 11 new tracks, eight of which he co-wrote, reinforcing his unwavering commitment to the genuine spirit of country music.

In 2023, Tritt unveiled a project that was especially close to his heart, his long-awaited debut Gospel album, "Country Chapel." Produced by Dave Cobb at Georgia May Studio, this poignant album is a nostalgic voyage into the depths of his childhood roots, beckoning listeners to experience the warmth and raw emotion of Tritt’s formative years within the confines of the Country Chapel. "Country Chapel" pays homage to his Southern upbringing, blending traditional church harmonies with his signature, award-winning vocal style to deliver genuine renditions and powerful testimonies of redemption.

2024 marked a standout year for Tritt, as his relentless touring schedule brought his music to sold-out crowds across the country, solidifying his place as one of country music's most enduring performers. As he continues to ride this wave of momentum, Tritt remains committed to his fans, delivering authentic Southern rock-infused country music that resonates with generations. With his storied career and passion for performing still burning bright, Travis Tritt shows no signs of slowing down.

Accessible Seating & Accessible Services

DPAC offers a variety of Accessible Seating & Accessible Services to make our performances and facilities accessible to all.

Accessible entrances, parking, restrooms, and seating options including a variety of wheelchair accessible locations and companion seating.
ADA compliant ramp access and elevators to all lobbies and seating areas.
Courtesy shuttles from nearby parking areas, curb-to-seat wheelchair assistance and listening devices at every event.
Plus, audio description, captioning, and sign language interpretation upon request.

Accessible Services - We’re here to help!

For additional information, questions or more specific details on accessibility or any accommodation or service listed below, please contact us via e-mail at AccessibleServices@DPACnc.com.

Accessible Seats - Ticket Purchases

To purchase Accessible Seats, please visit the Blue Cross Blue Shield of North Carolina Ticket Center

For additional information, questions or details on an accommodation or service not listed below, please contact us via e-mail at AccessibleServices@DPACnc.com.

Age Requirement

Please note that all guests require a ticket, regardless of age. Children under the age of 6 are not allowed at this performance. Children must be able to sit quietly in their own seat without disturbing other guests.

NEW - Cashless Payments for Snacks and Beverages at DPAC

Cash is no longer accepted for snack or beverage purchases at DPAC’s lobby bars or snack and beverage stands.
Snack and beverage purchases now require payment using credit or debit cards, Apple Pay or Google Pay or a DPAC gift card.
If you happen to arrive at DPAC with cash only, guests may purchase a DPAC gift card in $20 increments at our Entry Lobby Guest Services window. These gift cards can then be used at any lobby bar or snack and beverage stand.

Content Advisory

DPAC offers a diverse selection of entertainment. Not all productions will appeal to or be appropriate for every guest or for all ages. Ticket buyers should take responsibility for making informed decisions regarding their purchases. We recommend visiting the official website of each show to learn more about the show you are coming to see at DPAC. If you ever have questions about the content or appropriateness of a show, please contact us at GuestServices@dpacnc.com.

Doors Open

Our lobby doors open 60 minutes prior to show time.

Event Schedule

7:00 PM- Lobby Doors
8:00 PM- Performance Begins

* Please note all times are approximate and subject to change without notice.

Inclement Weather

All performances scheduled at DPAC normally take place as planned. For more information on our inclement weather policy, please visit INCLEMENT WEATHER FAQ.

Photography / Video Recording

At DPAC, each event that we host determines their own policy on photography and video recording using mobile phones. We enforce these policies at their direction.
This event has not yet communicated to DPAC, their specific policy regarding photography and video recording using mobile phones.
DPAC will make every effort to communicate this policy to guests in an email before the event.
Once you arrive at DPAC, you can also ask a staff member, look for specific signage near the doors to the seating area, or listen for pre-show announcements.
GoPro’s, tablets, and cameras of any kind are prohibited at all DPAC events.

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Safety First - Bag Check

For your safety, all guests and their bags are subject to inspection before entry.
This inspection may include the use of metal detectors.
Restricted items include, but are not limited to: Alcohol, Cameras, Glass Bottles, and Weapons of any kind.
In addition, no large bags are allowed including backpacks and large purses 12 or more inches deep.
Small clutch purses are STRONGLY recommended.
For family shows that allow very young children, diapers bags are allowed for guests with infants and toddlers (child must be present).
Safety first is our goal. Please let us know if you have any questions or feedback at guestservices@DPACnc.com

Special Effects

For many events at DPAC, the performances contain bright lights, flashing strobe lights and theatrical fog or haze.
DPAC does not control these lighting effects which are designed as part of the show and are used for dramatic effect.
Theatrical fog or haze, comprised of safety tested glycol, glycol/water mixtures, water, mineral oil, or dry ice, is used to make lighting effects more visible, and to create a specific sense of mood or atmosphere.
Some, but not all events provide DPAC with more specific advisories on these effects. When available, DPAC will post any added advisories below.
- This event has not provided DPAC with any specific advisory.

Standing at Concerts

Standing and Dancing at Concerts: DPAC is proud to welcome all types of concerts to our stage. Sometimes during the course of a concert performance, audience members will show their enthusiasm by standing and dancing, especially when encouraged by the performers to do so. Unless directed by the show, we do not ever enforce a must sit policy at concerts. For most concerts, this would not be acceptable to the performers on stage who often love it when the crowd is moved enough by the performance to stand. This is especially true for rock shows and for seats closest to the stage.

Please know that DPAC does not have a “no standing” policy and in most situations will allow guests to stand even if they block the view of the stage for other guests. If your view is ever blocked by a standing or dancing guest, please contact an usher and we’ll attempt to find alternative seating.

Tickets

Most tickets buyers purchase right from our website using the Buy Tickets button on this page.
In addition to purchasing online, DPAC offers several other ways to purchase the seats you want to the best Broadway, concerts, comedy, family shows and special events in North Carolina.
Our computerized ticket system enables you equal access to great DPAC seats whether you buy online, by phone, or in person at DPAC.
For more details, visit our Purchase Seats page for complete information on purchasing great seats for all events at DPAC.
All tickets for DPAC events are fully digital and only accessible via your mobile device. A mobile ticket is the safest, most convenient, and flexible way to receive and manage your tickets while increasing protection against fraud. To learn more about mobile entry, please visit our Mobile Entry FAQ.

Video Screens

Currently, this event has not approved using our video screens. Please feel free to check back closer to the event for updates. If approved, we will post notice here.

For many concert, comedy, and special events at DPAC, we offer added views of the stage with two big screens (size: 16’ x 9’) hung to the sides of the stage or above the stage. These big screens can add to the visual experience of our concert, comedy, and special events and give guests seated farther from the stage what we like to call “a tenth row view”. Approval to use these screens always rests with the visiting show and about half of all concert and comedy events do use these screens.

Travis Tritt

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