Mannheim Steamroller Blog Post

By : Jay

With an extensive catalog of instruments, an impressive program, and an even more impressive history, Mannheim Steamroller stepped onto the DPAC stage last Saturday to a packed theater on their annual Christmas tour. Beginning with familiar Christmas tunes that morphed into more elaborate arrangements, the stage was set for a remarkable show. 

Throughout the whole performance, I was entranced by the musical prowess of each musician, especially Tom Sharpe’s casual dramatics and intense drum solos, and Reed Flygt’s extensive percussive skill, seemingly changing instruments on every note (perhaps my percussion experience has a bit of a bias). I was also delighted by the inclusion of a harpsichord as a core instrument of the group, as it has such a unique sound that perfectly fits the music. With Anna Lackaff’s skilled performance, I was captivated every time I heard her embellishments. 

Not limited to their impressive musical skills, the group also incorporates different mediums to enhance their performance. Coordinated with the music, carefully choreographed lighting is used throughout, from light beams that are on beat to patterns shining through the audience to sudden colors indicating moods and shifting melodic patterns. A variety of videos are shown, ranging from softly glowing candles to set the mood and video messages from the group’s founder, Chip Davis, to video montages adding a vocal line to songs and short films underscored by the live group. Furthermore, theatrical haze and fake snow are also used to add an additional element to the performance. 

Weaving elaborate melodies and harmonies alongside impressive technical elements, Mannheim Steamroller Christmas spent the night breathing life into the holiday spirit, a perfect start to this holiday season.